ARCHITECTURAL PHILOSOPHY


Architecture Incorporated was born with the idea of making explorations into the unchartered realms in the field of Architectural design avoiding the normal pitfalls of ideologies and ‘isms’ as is very much evident in the plurality of the firm’s works. Nature, History, Contemporary design, Function and Economics do have a definite place in the creations of the firm but more than that the projects reflect a distinct originality in thought, an intuitiveness tempered by reality, defying any attempts to classify the works into any preconceived slots.
All that the firm creates, each and every design detail, spring forth from a deep gorge within the creative minds of the people involved. One feels a burning, an insatiable passion as one attempts to touch the sublime through one’s creation. Architecture, as separate from an ordinary structure happens when the design is enthused with a soul reflecting a greater need than just material function - ‘the whole’ being always greater than the ‘sum of all its parts’.
“With its designs, the firm wants to create an architecture which is innovative, which looks beyond the everyday staidness of mediocrity, which applauds skilled craftsmanship, reflects an attitude of lateral thinking process culminating in creations which are path breaking, distinctive and thought provoking, an architecture which is at once an enigma, offering a refreshing change, an architecture with strong imagery and feelings, an architecture which comes across as an unfolding drama with entrancing forms, an entourage of blending and contrasting elements taking the beholder into a plurality of emotions and experiences, above all, an architecture that is founded not on moral correctness or archaic ritualistic principles but an architecture which is gay and joyful, untamed and non-conforming”.




EXTRACT OF THE SPEECH GIVEN AT ZONAL CONVENTION OF STUDENTS OF ARCHITECTURE AT BANGALORE, 1994


TIMELESS.....

I am sitting on the bank of the river, staring at the continuous flow of water. One leaf floats by me. I call it the past. Another leaf floats right in front of me. I call it the present. I can see a third one floating and approaching me. I call it the future.
I am happy.
I have been able to time and date an event with reference to myself and thereby divide it into three different compartments.
But the bird in the sky doesn't agree with me. She insists that all three leaves are moving simultaneously. She says that what I perceive as past, present and future are actually happening at the same time; that it is all a continuum. She also says that I am not able to comprehend this because the plane of my vision is quite limited.
Now, on second thoughts, I feel the bird does have a point. How I wish I could elevate myself to the position of the bird, so that I could experience what the bird is experiencing!
Can we date a thinking process?
Isn't thinking per se independent of time?
If the answer is 'Yes', then one has to agree with the notion that thinking as such is "timeless".
More than the organisation of the spaces, Architecture is imagination. It is the result of the process of creative thinking
Isn't it therefore possible to create an Architecture which is not dated; which permeates the man-made boundaries of the past, present and future; which doesn't fall under any classified "styles"?
Isn't it therefore possible to create an architecture which is "timeless"?
For something that is "timeless" is eternal.


-Anil Bhaskaran


EXTRACT OF THE SPEECH GIVEN AT NATIONAL CONVENTION OF STUDENTS OF ARCHITECTURE AT ROORKIE UNIVERSITY, 1993



Truth
That is all pervading
That is all - elusive
Truth
Is it in the perceived reality?
Is it in the unknown realm?
Truth
How would I ever know it?
For all that I have are five senses.
A tree stands in front of my house. It is full of flowers. It looks bright and beautiful bathed in the sunshine. It sways with the breeze making a sound which is almost musical. The fragrance of its flowers fills everywhere. A scientist will give you the name of the species and the family the tree belongs to, the chemical composition of its trunk, leaves etc. However if you ask him (her) why the tree is of that particular shape or form, why it is round, long or curving and why there are so many types of trees on this planet he wouldn’t have any answer. A flowered tree makes its immediate surroundings more habitable. It attracts bees, birds, animals and human beings. It stands there simply celebrating its existence.
A flowered tree exists without really wanting to prove the meaning of its existence. Looking for the meaning of the various aspects of its existence will not yield much result.
Because existence itself is the meaning or simply, it exists and therefore it is meaningful.
Architecture is like a flowered tree.

-Anil Bhaskaran